On this last day of August, some words for New Georgians from Robert Morris' Rural Architecture (1750). Morris provides a quite wonderful exposition of why the New Georgian finds stolid, rational joy in the plain simplicity of the Georgian parish church. He begins by introducing the roots of such plain simplicity: most who have wrote on this Subject, have raised nothing but Palaces, glaring in Decoration and Dress; while the Cottage, or plain little Villa, are passed by unregarded Gaiety, Magnificence, the rude Gothic, or the Chinese unmeaning Stile, are the Study of our modern Architects; while Grecian and Roman Purity and Simplicity are neglected. These classical roots may alert us to how such church architecture coheres with the theme of the posts of Jeremy Taylor Week , of the Ciceronian and Senecan humanism valued by Taylor and bequeathed to 18th century Anglicanism. Having praised the classical Greek and Roman simplicity, Morris continues: As an Admirer of thos...
For this concluding post of Jeremy Taylor Week, we turn to four sermons, delivered in quite different contexts. One of the sermons was preached just prior to the outbreak of the Wars of the Three Kingdoms. The other three sermons were preached in the years immediately following the Restoration. Two of the sermons marked civic occasions, addressing the polity. Two of the sermons were at funerals, including that preached by George Rust at Taylor's funeral. We begin in 1638, with Taylor's first published work, his Gunpowder Plot sermon , preached, at Laud's direction, in the St. Mary's, Oxford. His text was Luke 9.54, James and John seeking to call down fire from heaven on the Samaritan village. For Taylor, the Gunpowder Plot conspirators - and all those who encouraged the "already too much clashing of armour and effusion of blood for a Christian cause" - followed the path of James and John. When first I considered they were Apostles, I wondered they should be s...