'Preferring plainness and utility to gaiety and ornament': understanding the New Georgian sensibility
On this last day of August, some words for New Georgians from Robert Morris' Rural Architecture (1750). Morris provides a quite wonderful exposition of why the New Georgian finds stolid, rational joy in the plain simplicity of the Georgian parish church. He begins by introducing the roots of such plain simplicity: most who have wrote on this Subject, have raised nothing but Palaces, glaring in Decoration and Dress; while the Cottage, or plain little Villa, are passed by unregarded Gaiety, Magnificence, the rude Gothic, or the Chinese unmeaning Stile, are the Study of our modern Architects; while Grecian and Roman Purity and Simplicity are neglected. These classical roots may alert us to how such church architecture coheres with the theme of the posts of Jeremy Taylor Week , of the Ciceronian and Senecan humanism valued by Taylor and bequeathed to 18th century Anglicanism. Having praised the classical Greek and Roman simplicity, Morris continues: As an Admirer of thos...