laudable Practice

As I mentioned last week , a recent visit to The Middle Church this view of a simple, plain pew caught my attention. It somehow embodies the simplicity of Prayer Book worship that would have been known in The Middle Church, through the late 17th century, across the 18th, and into the 19th.  Part of such simple Prayer Book worship would have been metrical psalmody. A metrical version of the Psalter was usually bound with the Prayer Book and was a characteristic of Anglican worship across the 'long 18th century'. Bishops Bull and Beveridge extolled the practice of singing metrical psalms. John Shepherd in his Prayer Book commentary at the end of the 18th century described the singing of metrical psalms as "a pleasing and affecting part of divine worship". Into the mid-19th century , bishops urged the singing of metrical psalms, contrasting their sober character with the enthusiasm of the new hymns. It is almost certainly metrical psalmody to which Jeremy Taylor refer...

The services were decently and demurely read in their parish churches, chanting was confined to the cathedral, and the science of intoning was unknown. One young man who had come direct from Oxford as a curate to Plumstead had, after the lapse of two or three Sundays, made a faint attempt, much to the bewilderment of the poorer part of the congregation. Dr. Grantly had not been present on the occasion, but Mrs. Grantly, who had her own opinion on the subject, immediately after the service expressed a hope that the young gentleman had not been taken ill, and offered to send him all kinds of condiments supposed to be good for a sore throat. After that there had been no more intoning at Plumstead Episcopi. It is an amusing incident from Barchester Towers , Trollope's 1857 novel. Amusing as it is, it also reflects mid-19th century Anglican experience. We hear something of Mrs. Grantly in the 1862 edition of Reading the Liturgy , a work which originally had the subtitle "addressed ...